Aachen: Katya Kabanova

Less than three years since Jenůfa, Theater Aachen in Aachen, Germany, presented another of Leoš Janáček’s operas – Katya Kabanova. The premiere took place on November 12, led by the theatre’s current music director Justus Thorau. The production was created by the Czech-born director Tibor Torell who presents the story as chain of visions of the heroine, who thus … Read more

Jiří Kadeřábek’s ‘No Man’ in Bremen

Premiered this spring at the National Theatre in Prague, Jiří Kadeřábek’s opera No Man moved over to Bremen, Germany, native town of the production’s directress Katharina Schmitt. Here, it was performed twice, on November 7 and 8 as a special part of the festival of contemporary German literature Festival für grenzüberschreitende Literatur. No Man tells the tragic life story of … Read more

Vít Zouhar & Rocc: Echo – Metamorphoses II

Opera povera ensemble introduced a second part of their experimental project Echo – Metamorphoses, subtitled “All that connects sound and space can become an opera.” It was created by Rocc (*1979), Slovenian opera director and opera povera’s art director, and composer and musicologist Vít Zouhar (*1966). “Content-wise, we tried to return to the original inspiration of the very first … Read more

Essen: The Bartered Bride

On October 14, Aalto-Musiktheater opera in Essen, Germany, premiered a new production of Bedřich Smetana’s The Bartered Bride in which numerous Czech artists were involved. Apart from conductor Tomáš Netopil, who currently works as the general music director of the theatre, tenor Richard Samek starring as Jeník, scenographer Martin Chocholoušek and costume designer Simona Rybáková it was also … Read more

Miroslav Kubička: Jakub Jan Ryba (world premiere)

On October 14, J. K. Tyl Theatre in Plzeň presented with great success a world premiere of Jakub Jan Ryba, first and as yet last opera by composer Miroslav Kubička (*1951). The piece is based on Josef Bouček’s successful 80s play The Shepherds’ Night about the cruel fate of the composer and schoolmaster who is today known often only as the … Read more

Jenůfa in Victoria, Canada

In co-production with Opéra de Montréal, Pacific Opera Victoria in the capital of British Columbia, Canada, presented a new production of Janáček’s Jenůfa. It was directed by the internationally acclaimed film director of psychological dramas Atom Egoyan, famed, among others, for Academy Award-nominated The Sweet Hereafter, Exotica (awarded a Golden Palm of Cannes) or the erotic thriller Chloe. Egoyan set the story … Read more

Katya Kabanova in New Zealand

As the last production of the 2017 season, the New Zealand Opera presented Leoš Janáček’s Katya Kabanova. It was in a highly acclaimed production by Australian director Patrick Nolan premiered this February in Seattle (for more information see: https://blog.musica.cz/en/articles/detail/811 ). Founded in 2000, the New Zealand Opera produces three shows each year which are then played in multiple places. Katya Kabanova … Read more

Michal Nejtek: Rules for Good Manners in the Modern World (world premiere)

National Theatre Brno opened this year’s season by releasing Rules for Good Manners in the Modern World, an original Czech opera by composer Michal Nejtek and librettist Jiří Adámek, who is also the director. The piece is based on Jean-Luc Lagarce’s (1957-1995) drama for a solo actress, which introduces the spectators to the etiquette rules, as established in the … Read more

Magdeburg: Rusalka

Theater Magdeburg in the capital city of the state of Saxony-Anhalt, Germany, put on Dvořák’s Rusalka as the first premiere of this year’s season. The production’s author is an experienced British opera director Stephen Lawless, who has collaborated with MET, Berlin State Opera or Royal Opera House Covent Garden, among others. His Rusalka is not a fairy tale, but a harsh “coming … Read more

Ostrava Days. Miroslav Srnka: Make No Noise (Czech premiere)

One of the most eagerly anticipated events of this year’s Ostrava Days was undoubtedly the first Czech performance of Miroslav Srnka’s chamber opera Make No Noise. Written for five voices, thirteen instruments and electronics, the work was commissioned by the Bavarian State Opera and last time performed in August 2016 at the Austrian festival Bregenzer Festspiele. The libretto by … Read more